
| The young Armenian born bass Vazgen Ghazaryan is captivating audiences with his stellar, expressive performances and the bold resonance of his powerful, virulent sound. |
“Son lo Spirito che Nega Sempre” from Boito’s Mefistofele

“Ich weiß ein wildes Geschlecht” from Wagner’s Die Walküre (2010)
with Maestro Kent Nagano
Boito |
Puccini (continued) |
Mozart - Requiem |
Shostakovich - Songs of our Days |
“Without Gergiev’s stars, the cast was made of local singers – the exception was mighty bass Vazgen Ghazaryan, native Armenian and soloist at Theater Erfurt, in the role of Hunding.”
Ekaterina Biryukova, OPENSPACE.RU, 2010
“Singing Hunding, from Theater Erfurt, bass Vazgen Ghazaryan sounded like a native German.”
Petr Pospelov, VEDOMOSTI.COM, 2010
“Singing powerfully, with excellent German was bass Vazgen Ghazaryan (Hunding).”
Julia Bederova, VREMYA ONLINE, 2010
“The young bass Vazgen Ghazaryan makes superb use of his opportune moment as soloist… In a savory, pleasant, chest voice, he strides, elegantly dressed, across the stage in Erfurt, and on this impressive premiere evening, the evening is his.”
THUERINGER ALLGEMEINE
“Für darstellerisch begabte, personlichkeitsstarke Bassisten ist der Mefistofele eine Paraderolle, und das Theater Erfurt hat mit Vazgen Ghazaryan genau den richtigen Typen dafur im Ensemble. Mit abgrundtiefer, sichersitzender und tragfähiger Stimme entwickelte der aus Armenien stammende Sänger vokale Pracht vom Feinsten, und dank seiner darstellerischen Gewandtheit konnte er die verschmitzte Gerissenheit des Geistes.”
OPERNGLAS
“Especially accomplished among the soloists was Vazgen Ghazaryan, a powerful bass, whose soaring voice filled every crevice of the Carnegie Hall.”
THE ARMENIAN REPORTER
“Vazgen Ghazaryan gab nicht nur einen stimmgewaltigen Mephisto, sondern überzeugte auch in seiner Performance, die irgendwo zwischen Gustaf Gründgens und Jack Nicholson den ambivalenten Charakter in seinen verschiedenen Facetten wunderbar zu zeichnen vermochte.”
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